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Control
awesome!!!!
Very suspenseful and unpredictable.

Excellent!
Helpful, Well-Organized Introductory Identification GuideOver 170,000 varieties of butterflies and moths have been identified. The author estimates that an equal number remain to be identified in the future. How can a simple pocket book hope to cope?
Mr. Carter has developed a solid concept for this helpful volume. He gives you a little bit of information about all the things that are most likely to be of interest. Then, as you become more knowledgeable, you can graduate to more extensive works and experiences.
The bulk of the book is a field guide to 5 butterfly and 22 moth families that are most common throughout the world. Over 600 color photographs are contained here. In this way, you have a decent chance of identifying whatever is flying in your garden during the good weather. Each species is beautifully illustrated with the wings outspread and a map showing where the species is usually found. Some species also have illustrations of both sides of the wings, caterpillars and other distinctive views.
Although moth varieties outnumber butterflies by about 9 to 1, the book wisely displays mostly butterflies. The moths chosen rival the butterflies for their wonderful designs and vibrant colorations.
For those with a casual interest in the subject, the beginning will be especially valuable. Here you can find out about the differences between butterflies and moths, the details of the life cyles of these insects, how to best observe them, and tips for building a garden that will attract the largest possible population. I thought that last information was most worthwhile.
At the end of the book are listed some of the many gardens you can visit that are populated by collections of living butterflies. I have found those to be remarkably good fun, and very relaxing. You have to slow down to enjoy butterflies. It's good for each of us to move at butterfly speed more often.
The current edition was published in 2000, and contains corrections to the original 1992 edition so be sure to get this second edition.
After you have finished enjoying this beautiful visit to nature's paintbrush and invention workshop, I suggest that you consider how else you can enjoy studying nature. For example, have you ever looked at flowers with a high-power magnifying glass? Like butterflies, they look quite different (and more wonderful) when you can see more details.
Overcome your stalled thinking that you have to wait for a butterfly to cross your path before you can enjoy one!
YARG!

THE Master for BIG Bass
Must read book even for the non-reader
This is better money spent than any lure.

Rescuing socialism from Stalinism
Stalinism IS SocialismThe fact is, Shachtman went over to the right wing at the end of his life afterleading the SWP for many years. I blame his views on the USSR and one notices how many ex-trots do this. Obviously their views on the USSR have a lot of factual basis to them , but it was the best we had and therefore worth defending to the hilt and fighting for. Stalinism was "actually exisiting socialism" and anyone who denys this, contradicts the actually existing state of play at the time up until the end of the Cold War, and in particular, up to the mid 1960s.
Any socialist who wants to be educated should read this book, and then argue with it!
Essential reading for Democratic SocialistsThis book opens with a quotation from Albert Einstein, stating the case for socialism. Einstein, like almost every great mind of the 20th century who concerned himself or herself with the welfare of the working people, wanted common ownership and a democratic planned economy. But Einstein was stumped by the enigma of the USSR. He saw that there "the planned economy" was "accompanied by the complete enslavement of the individual" and so was "not yet socialism". It seemed to represent, on the one hand, a step in the right direction, because of the planned economy, but on the other hand, not a step that Einstein wanted to take.
Very few thinkers got anywhere near resolving the paradox. The greatest was Leon Trotsky. But Trotsky got no further than assessments of the USSR which he himself described as provisional and needing review if the system proved to have some solidity and viability, rather than being only a freak concatenation of counter posed forces.
When the Stalinist USSR showed that it did have that viability - by becoming the world's second superpower, in the 1940s - the task of reworking Trotsky's analysis had to be undertaken, not by well-provided professors in famous research institutes, but by tiny groups of Marxists harassed by the exigencies of day-to-day political activity in hostile circumstances. They have not become as famous as Einstein, or Trotsky. Their names - Max Shachtman, Joseph Carter, Hal Draper, C L R James - are largely unknown.
But the "lost texts" of those "critical Marxists" - here unearthed for the first time from dusty archives, and well-presented with a substantial introduction - are a central part of the intellectual history of the 20th century. Every educated person needs to know about them, just as much as he or she needs to know about Einstein's theory of relativity.


The finest book I have ever read on a musical company!!
INSIDE VIEW OF A MUSICAL GIANT: Gibson Musical InstrumentsThis amazing collaboration of works (every specialist or researcher methodically covers each and every era of Gibson's ownership, management, philosophy, stars, and more) is jam packed with information on the performers, their instruments, carefully interwoven with a history of the fast changing musical trends of the times. Gibson nearly always lead the way, from the very beginning, and how they did it is clearly, concisely written about here.
From fans of mandolins, laptops, archtops, dreadnaught acoustics, and the rock and roll heritage of Gibson (known as THE TONE) will get more than their money's worth from this veritab! ! le chronicle of the company's entire history, beginning with the day Orville H. Gibson conceived his first guitar.
Each and every era is given full coverage, from the artists and their instruments of the 1930's, generation by generation, all the way to fans of rock legends Jimmy Page and Pete Townsend, will find everything they ever wanted in a book on GIBSON, in this work. And, frankly, far from being a Gibson-is-the-only-way ad, this book frankly, if brutally, deals with the steep decline of Gibson under Ecuadorian railroad and beer distributors, in the early 1980's, the loss in quality, and the modern day heros that rescued the legendary manufacturer from certain extinction, to pre-eminent leadership yet again, and perhaps greater status (and quality) than ever known before.
This an exemplary book, graciously adorned with plenty of pictures of mint condition Vintage (read 1930, 1940 and 1950 - and later) Gibson Instruments from various vintage collectors such as Geor! ! ge Gruhn. In my opinion, this book rates FIVE (5) stars PLU! S, and is a must read for anyone who ever wondered about the music of the 20th century: who created it, and what devices were used in doing it. There are some technical schematics to please the most picky purists.
If you are interested in any area of American music, you will more than likely find some reference to it in this book. So will your parents, and maybe your grandparents! There is something for everyone in this enjoyable and fascinating story of a modern musical legend.
The Full History (And Near Demise) of Gibson Guitars"Gibson GUITARS 100 YEARS OF AN AMERICAN ICON", by Walter Carter, is a 314 page chronicle of each and every single era, dichotomised into a neat, organised and painstakingly concise tome of this musical titan, beginning with the Orville H. Gibson (creator of the Gibson instruments) era, and taking the reader on a roller-coaster ride of the triumphant ups, and near fatal decline, of this legendary manufacturer.
This book is worth every penny you will pay for it, and more, because it expands on every phase of Gibson's development, every epoch of the sea changes in the industry, while entertainingly interweaving changes in musical tastes, trends, and featuring leading artists, mainly those who used Gibson instruments, such as Pete Townsend, ! ! Duane Allman, virtuoso Jimmy Page, Jeff Beck, the legendary innovator and artist, Les Paul himself, Jeff Lynn, Mick Ronson, Chris Hillman, Billy Gibbons, and many, many others. It is no coincidence that most of them were or are the preminent artists of the world's musical stage.
Make no mistake about it. This is no P.R. book, or propaganda espousing Gibson as the ALL TIME WINNER-greatest manufacturer ever jive; this book is painfully frank about the good times and the bad times with professional, dispassionate, objectivity, each chapter narrated era by era, by industry professionals from all corners of the musical field.
This book also debunks many of the myths, misconceptions, and misinformation floating around about the company. It takes the reader through each level of ownership, outlining the strategic decisions, for better or worse, as a company with a passion for being the leader in a fast-changing industry. And, later, I will address some of the false presumptions ! ! about the more recent models.
No doubt, Gibson was in its! hayday in the postwar period. It was a money maker and a winner. It's decisions were based upon well thought out and carefully crafted tactical decisions, a motivated workforce, and a desire for excellence.
Quite equal time is devoted to the acoustical and electrical divisions of the company, the key players in each ownership regime, and the masterful unveiling of each new product, extraordinarily chronicled often by Gruhn Guitars' George Gruhn, co-collaborator with the author, Walter Carter on a variety of other projects, and nationally acknowledged expert on musical and vintage instruments; the book is literally filled with high quality color photos of vintage instruments dating back to the early 1900's.on through the 40's, 50's and 60's, to the present, thanks to George Gruhn's extraordinary collection of vintage instruments.
I was blessed with playing excellent Gibson instruments since the early 1960's, and own a number of their electric guitars, and having played f! ! or 34 years, was equally lucky in NOT playing one of their products during their steep decline in the late 1970's and early 1980's, when very poor decisions by Norlin almost destroyed this national treasure. Tom Mulhern and George Gruhn detail the self induced problems which perpetuated when opportunists from an Ecuadorian beer company, railroad company, and mineral extractor nearly ran this company into extinction. A great example of knowing your industry or else.
By a rare fortune of fate, passionate and educated guitar efficianados (with engineering backgrounds) came to the rescue. Henry Juskiewicz, Dave Berryman, and Gary Zebrowski rescued this company, and the manner in which they did it is not only fascinating, but amazing in that they purchased a near crumpled empire, and brought it back to resurgance, and debatable superiority yet to be appreciated.
At issue over many debates is the worthiness, or lack thereof, of re-issues, of 'vintage' Gibson instruments. Unti! ! l I read this amazing book, I was of the impression that th! e re-issues were just attempts at nearly duplicating the successes of the past. Recently, however, and thanks to this book, I have discovered otherwise.
Anyone who has heard Jimmy Page's blistering, intricate lead on the First song on CD 2 of the BBC Sessions KNOWS what a Les Paul can sound like. Perfection. Well, I have re-created that exact same tone, and lead on my Les Paul 1960 Classic re-issue, with the proper equipment, and I can assure you, the quality is still there, waiting to be explored. This book tells you WHY. That is the most intriguing part. Yes, you MUST know your equipment from stem to stern, amps, tubes, effects, guitar intricacies (sorry, that info is classified; I do not give away 34 years of technical knowledge). But as has not been said about other instruments as Gibson's re-issues have been wrongly labeled: just because there are no Beatles now, no Led Zeppelins, no new supergroups, it is NOT because they don't make great microphones, pianos, and stud! ! ios like they used to (the bum rap hung on Gibson solid body guitars). The absence relates more to the lack of talent, and technical expertise, than to the properties of the instruments.
This book has drawn from the very best and most knowledgable professionals in the U.S. and U.K. to present a detailed encyclopedia of mandolins, guitars, banjos, and other instruments that made Gibson the frontrunners in music, giving an amazingly full chronology of its past, and looking ahead into the future for this promising company with a glorious past and an unlimited future.
Having read this excellent book, I look forward to the next 50 years of glory yet unimagined now, for Gibson USA.
This is a very, very fine book, extremely well researched, documented, and a joy to read. Anyone with an interest in music, be it Country and Western, Bluegrass, Jazz, or Rock'n'Roll will be proud to own this chronicle of modern music, and the company that virtually single-handedly brought us here.! ! To say this book is purely exceptional is quite an underst! atement. It is beyond that. And it is fun too. What more can a reader ask for? Five Stars + from me.


Informed TeenOne of the most important parts of this book is when she talks about changing your environment. A quote from this chapter would be "know what you can change (don't forget about negotiating!) and what you cannot. Apply your energy to what you can change and accept those things you can't."(Page 112). Too many people get caught up in things that are permanent and don't focus their attention on temporary things that could make life bearable.
*I liked the book because it doesn't sugar coat anything and it gives the facts flat out.
I would recommend this to teens because it can help us deal with the world and assist us into blossoming into the adults we were meant to be.
I would recommend this book to adults because even though it is centered to teens, its lessons can be beneficial to adults also.
I wouldn't recommend this book to schools because although I like the book, many people would find it time-wasting and boring.
EXCELLENT BOOK!!!!
Excellent Read

A Must Read
"It Happened" helped me
All teen and young adult survivors need this workbook

Book ReviewBrandon M.
A Delightful Tale
Very pleasing story and a terrific bedtime book

For that floundering freshman
No better guide for the directionless college studentMany of us have been there, or know others who have been there: entering college with no clue what to major in. Or picture this scenario: a recent college graduate who has no idea where he or she will get their first job. This book seeks to deal with the situation in which those students find themselves.
Carol Carter is Vice President and Publisher of Student Success and Career Development at Prentice Hall. She is particularly suited to writing this book, with unique personal qualifications based on her own experience and her work at Prentice Hall.
The book walks through interest and ability inventories to help students discern strengths and weaknesses. Tips on obtaining first jobs, networking, and handling rejection are interwoven with advice on internships, time management, and resumes.
Succinctly, we can't think of a better book for high school seniors and college students.
Great Book!

Insiders Insights to Microsoft
Absorbing, entertaining look at Microsoft from the trenches
I couldn't Put it Down